Her ideas at the time of a writer was someone interested in “everything.” With her insatiable appetite for creativity in all its forms, Sontag produces a collection of essays that is an ambitious work. Sontag is strongly averse to what she considers to be contemporary interpretation, that is, an overabundance of importance placed upon the content or meaning of an artwork rather than being keenly alert to the sensuous aspects of a given work and developing a descriptive vocabulary for how it appears and how it does whatever it does. Illness as Metaphor and AIDS and Its Metaphors, Susan Sontag: Essays of the 1960s & 70s (LOA #246): Against Interpretation / Styles of Radical Will / On Photography / Illness as Metaphor / ... (Library of America Susan Sontag Edition), As Consciousness Is Harnessed to Flesh: Journals and Notebooks, 1964-1980, Reborn: Journals and Notebooks, 1947-1963. There was an error retrieving your Wish Lists. Your recently viewed items and featured recommendations, Select the department you want to search in, No Import Fees Deposit & $11.98 Shipping to Germany. In the latter, Sontag argues that the new approach to criticism and aesthetics neglects the sensuous impact of art, replacing it with tame intellectual interpretations and emphasis on the "content" or "meaning" of a work. The key French ideas are all here. Something went wrong. Please try again. There’s no way to know what you are going to get (angry emoji), Reviewed in the United States on April 11, 2019, Reviewed in the United States on May 10, 2018, Reviewed in the United States on July 14, 2016. Against Interpretation was Susan Sontag's first collection of essays and is a modern classic. “Susan Sontag's essays are great interpretations, and even fulfillments, of what is really going on.” ―Carlos Fuentes“A dazzling intellectual performance.” ―Vogue“Susan Sontag is a writer of rare energy and provocative newness.” ―The Nation“The theoretical portions of her book are delightful to read because she can argue so well. Against Interpretation was Susan Sontag's first collection of essays and is a modern classic. Although I can’t really say that I learned anything new from reading them, or that they transformed my viewpoint on anything, or that I gained any new insights, I don’t regret the experience. Against Interpretation By Susan Sontag Essay Susan Sontag, in “Against Interpretation,” takes a very interesting critical standpoint on the idea of literary interpretation. Susan Sontag. The language is dry and very technical, Reviewed in the United States on September 25, 2015. We work hard to protect your security and privacy. Magnifique, ce livre est plein de sens. It includes some of Sontag's best-known works, including "On Style," and the eponymous essay "Against Interpretation." To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. . In the latter, Sontag argues that the new approach to criticism and aesthetics neglects the sensuous impact of art, replacing it with tame intellectual interpretations and emphasis on the "content" or "meaning" of a work. Originally published in 1966, it has never gone out of print and has influenced generations of readers all over the world. En anglais.. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. Please try your request again later. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required. Re-evaluation of Sontag’s seminal essay “Against Interpretation”. Well worth the time spent. La compréhension est simple et vrai. Reviewed in the United States on September 27, 2018, The printing has been done by a third party. Rather than even attempt to synthesize Sontag’s far ranging criticism, I have decided to concentrate on a single piece of criticism which has had a profound influence on the way many people analyze film, myself included. As the name suggests, the essay is all about Susan’s idea of what interpretation is, and why she’s against it. They have taken a print of the original copy. To Sontag, modernity means a loss of sensory experience and she believes (in corroboration with her theory of the damaging nature of criticism) that the pleasure of art is diminished by such overload of the senses. Against Interpretation closes with the platitude: “In place of a hermeneutics we need an erotics of art.” (Sontag, p.14) This is one of Sontag’s statements that promises more than it delivers. In a contemporary review of the book, Benjamin DeMott of The New York Times praised Against Interpretation as "a vivid bit of living history here and now, and at the end of the sixties it may well rank among the invaluable cultural chronicles of these years." The essay was first published in Volume 8, number 34 of Evergreen Review in December 1964. It includes some of Sontag's best-known works, including "On Style," and the eponymous essay "Against Interpretation." Includes the essay "Notes on Camp," the inspiration for the 2019 exhibition Notes on Fashion: Camp at the Costume Institute of the Metropolitan Museum of Art Against Interpretation was Susan Sontag's first collection of essays and is a modern classic. And the artists and intellectuals she discusses – Nietzsche, Camus, Godard, Barthes etc – demonstrate that she knew which horses to back. Reviewed in the United States on October 15, 2016. "Against Interpretation" is Sontag's influential essay within Against Interpretation and Other Essays that discusses the divisions between two different kinds of art criticism and theory: that of formalist interpretation, and that of content-based interpretation. Reviewed in the United States on May 22, 2018. Unable to add item to List. Reverting to a more primitive and sensual, almost magical experience of art is what Sontag desires; even though that is quite impossible due to the thickened layers of hermeneutics that surround interpretation of art and that have grown to be recognised and respected. “Against Interpretation” in Against Interpretation and other Essays. Bring your club to Amazon Book Clubs, start a new book club and invite your friends to join, or find a club that’s right for you for free. Find all the books, read about the author, and more. Susan Sontag addresses this in her essay Against Interpretation, which was published in 1966 by Farrar, Straus and Giroux. This most recent edition features a new afterword by Sontag. Against Interpretation, Susan Sontag’s second book, was published in 1966, but some of the essays date back to 1961, when she was still writing for The Benefactor.Sontag had come to New York in the early 60’s, eager to become the writer she so longed to become. Her first work of nonfiction, Against Interpretation, published in 1966, was a sweeping assessment of art and contemporary culture — as well as an instant classic. To get the free app, enter your mobile phone number. "Against Interpretation" is Sontag's influential essay within Against Interpretation and Other Essays that discusses the divisions between two different kinds of art criticism and theory: that of formalist interpretation, and that of content-based interpretation. She is also the author of four novels, a collection of stories and several plays. That is, to approach art works with a strong emphasis on form, to “reveal the sensuous surface of art without mucking about in it.”[5]. Against Interpretation is a collection of essays by Susan Sontag published in 1966. And perhaps, above all, their intellectuals had a sophistication and popularity the intellectuals of other nations could not match. Reviewed in the United Kingdom on August 13, 2016. Against interpretation, and other essays by Sontag, Susan Former library book; Pages can have notes/highlighting. Prices are hidden. Where this type of interpretation was seen to resolve conflict between past and present by revamping an art work and maintaining a certain level of respect and honour, Sontag believes that the modern style of interpretation has lost sensitivity and rather strives to “excavate...destroy”[2] a piece of art. Susan Sontag addresses this in her essay Against Interpretation, which was published in 1966 by Farrar, Straus and Giroux. They were left-wing; they smoked and hung around in bars and cafes on the Left Bank, discussing the meaning of meaning; they listened to cool jazz; and they had theories that were so complicated that they burst through the boundaries of everyday language into the most abstruse abstractions. She talks about the past with the present interpretation. Top subscription boxes – right to your door, © 1996-2020, Amazon.com, Inc. or its affiliates. "[7], In their introduction to Critique and Postcritique (2017), Rita Felski and Elizabeth S. Anker argue that the title essay from Sontag's collection has played an important role in the field of postcritique, a movement within literary criticism and cultural studies that attempts to find new forms of reading and interpretation that go beyond the methods of critique, critical theory, and ideological criticism. It had the best food and wine; cuisine was after all a French word. New York: Picador, 2001. 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