Students develop a deeper knowledge of the specific work done in post-production houses while also refining creative perspective of the editing process. Gain a close-up view on the diversity of film and television culture as you explore how the moving image relates to history, politics, philosophy, sociology, the visual arts, drama and literature. I agree, Undergraduate scholarships, bursaries & awards, Postgraduate scholarships, bursaries & awards, Research scholarships, bursaries & awards, International scholarships, bursaries & awards, Understanding society, culture & the arts, Centre for the History of Women's Education, Enhancing wellbeing, nurturing the individual, Centre for Forensic & Investigative Psychology, Building sustainable & responsible future, Centre for Apprenticeship Research & Knowledge Exchange, Centre for Religion, Reconciliation & Peace, Faculty of Education, Health & Social Care, Academic Regulations, Policies and Procedures, Faculty of Business, Law and Digital Technologies, Enjoy 24/7 access to outstanding industry-standard facilities, Build a strong portfolio of work that demonstrates the specialist skills and practical film-making experience that employers really value, Develop your own distinctive creative film-making voice, Gain insider knowledge from the shared experiences of award-winning film professionals, Travel to overseas film festivals such as Berlin and Cannes, Teaching, learning and assessment: 192 hours, Teaching, learning and assessment: 156 hours, Introduction to Television Studio 15 credits, University of Winchester This module is designed to enable you to gain an understanding of the requirements and practices associated with the art department in the production of a film. This will give you a broad base of knowledge and the opportunity to learn things outside your major. Although some creative courses have stricter requirements, there are courses available for novices, those seeking a higher degree and working professionals looking to improve their skills. You'll make films and TV shows: refining your skills and knowledge as you work through, organise and shoot your ideas and stories. The goal of this program is to graduate creative, independent filmmakers with the skills, ideas, and initiative to shape the industry. Hands-on learning with non-linear editing software will introduce the students to creating a project and properly organizing and naming files for the purposes of picture editorial. The following highlights the optional costs for this course: Students have the option to attend a trip to a Film Festival throughout the duration of the course. This course elevates and expands students’ imaginations towards telling a story using all the resources available in post-production. By adding their own voice, vision, and brainstorming abilities to the process, they help bring the story into a unique and cohesive world. Any course with grades W or F must be retaken in order to graduate. The specialization (Directing, Producing, Cinematography, Production Design, Post-Production) is described and defined, including a short history and a variety of film clips that explore the depth and breadth of each. Students learn different ways that they may enter the industry, from traditional film and television routes to scenarios such as music video and reality television. This will print around 500 A4 mono pages. Budgeting finance, time, and resources is a key learning component depending on the complexity of each post element. A GCSE A*-C or 9-4 pass in English Language is required. You are taught primarily through a combination of lectures and seminars, allowing opportunities to discuss and develop your understanding of topics covered in lectures in smaller groups. The degree places emphasis upon the aesthetic and technical dimensions and knowledge of the filmmaking process. This course covers the role and responsibilities of a director in script development, pre-production, production, and post-production. Working in key roles throughout the pre- production, production and post-production stages of the film making process, students will develop the ability to work creatively and organisationally in groups of 4. Major course topics cover the study, design and direction of specific scenes such as openings, endings, and obligatory scenes in genre films. The Film Production curriculum provides flexible opportunities to develop skills as a filmmaker through collaborative and individual studio practices, technical & theoretical seminars, critiques, screenings and guest speakers. Major course topics include experiencing performance from the actor’s point of view, improvisation for directors, and advanced rehearsal techniques. A formative task pitching the group film project idea and planned framic elements affords project progression tutor feedback. A formative task affords tutor feedback for project progression. Participating students will work towards creating environmentally-friendly, sustainable content. The course also examines key critical concerns in film, the production process and cultural issues surrounding film so that students can develop wider perspectives on the use and function of film production. More courses. Wednesday afternoons are kept free from timetabled teaching for personal study time and for sports clubs and societies to train, meet and play matches. A formative task affords a group project pitch to their tutor for project progression feedback. https://www.surrey.ac.uk/undergraduate/film-and-video-production-technology If English is not your first language: Year 1/Level 4: IELTS 5.5 overall with a minimum of 5.5 in all four components. General Course Requirements. This module offers students the opportunity to gain a core understanding of film genres and their application to filmmaking and to creating meaning within the frame. This module offers students the opportunity to gain a core understanding of how the film director composes and populates the frame in furtherance of creating meaning. Discover some of the amazing work submitted by UoW students to Winchester Film Festival and hear about the different opportunities to get involved. For more information about our regulations for this course, please see our Academic Regulations, Policies and Procedures. Global Cinema examines the powerful contributions to film history from film communities around the world. The module examines the historical and contemporary relevance of sound production in relation to the filmmaking process and how it contributes to mise-en-scene. The Final Major Project is either a group film production (running time negotiable with supervisor) or an individual feature-length screenplay (80- 100pages); this is an Extended Independent Studies (EIS) project. In Term 6, Special Topics courses in the Film Production program give students the opportunity to refine skills and key industry knowledge while also exposing them to additional areas of their discipline that they may encounter in their future careers. In Cinematography 3, there is a greater emphasis in the creative role of the Director of Photography in crafting the final look of the film and a deeper understanding on the power of visual storytelling. Students are expected to hit the deliverables and deadlines set out by the Final Projects Post-Production schedule. Understanding film as an art form, as a means to developing an original voice, will serve to develop directorial craft skills. The particular character of the ‘short’ screenplay will be examined, analysed and practiced. We ensure all students have an equal opportunity to achieve module learning outcomes. BA (Hons) Film Production course embraces all areas of film production from documentary and fiction to artist's filmmaking and critical writing. This course continues to Term 6. This seven-week course explores the following concepts: ideology, semiotics and signification, mise-en-scene, Hollywood film style, the significance and characteristics of film form, narrative structure and POV, introduction to genre. The module will focus on the development of aesthetic and practical skills applicable to the filmmaking process and how image construction and structure contribute to creating mise-en-scene. ), you are encouraged to access academic support from staff within the course team, your personal tutor and the wide range of services available to you within the University. Producing 1 takes students through their first journey in independent film production by providing them with the knowledge, skills, and experience to produce a zero-budget short film. To achieve this successfully, the Production Designer must also be able to use the tools necessary to articulate the vision to Directors, Producers, and Directors of Photography. Major topics in this course include using software drafting tools to translate initial design concepts into finished plans and elevations for the Term 4 design project. In this introductory class, students learn the incredible creative power that post-production provides the filmmaker in the following areas: picture editing, sound editing, sound mixing, music, and colour correction. Film Production Coordinator: Job Description, Duties and Requirements. These techniques form the basis both of managing small zero-budget films and are the foundation for developing more sophisticated skills later in the program in order to enable students to manage much larger productions. Other courses you might like This course isn't running right now. As the year progresses, students choose to specialize in two of the following disciplines, giving their portfolio the kind of focus necessary to launch a career as a professional filmmaker. 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